MEINE 
REFERENZEN

Canonisation and Revision. Historical Processes in the Formation of Aesthetic Authority, hrsg. von Anna Pawlak, Johannes Lipps, Katharina Fezer und Annette Gerok-Reiter, Andere Ästhetik – Koordinaten Bd. 6E (De Gruyter) 

• Anna Pawlak / Annette Gerok-Reiter, Introduction: Canonisation and revision – debates and discourses
• Jürgen Leonhardt, Since when has there been a literary canon? Notes on a complicated conceptual history
• Florian Kragl, Literary studies and the cultivation of literature, distance and emphasis, the Jüngeres Hildebrandslied and Vergil: The canon as an empirical, heuristic, and pragmatic tool
• Hubert Locher, Canon formation, canon criticism and affirmation in art history since 1950 – or: The broken canon
• Ralf von den Hoff, Re-use as an attribution of authority: Late-classical funerary reliefs in Hellenistic and Roman Imperial Athens
• Bernhard Huss, Fighting about rank at the end of life: On Francis Petrarch’s literary legacy in the last book of his Letters of Old Age
• Laurenz Lütteken, Moment and memory: On the problem of musical canonisations
• Frank Schuhmacher / Dietmar Till, A new stylistic ideal: The debate over the German-language argutia in the 17th century
• Sarah Dessì Schmid / Katharina Fezer, On the relationship between canonisation and standardisation – comparing Italian and French language history
• Luisa Vögele / Thomas Thiemeyer, Collecting, organising, selecting: Processes of canonisation in the Kunstkammer of the Dukes and Duchesses of Württemberg
• Rebecca Merkelbach, Betra er slíkt með gamni at heyra: Canonisation and Icelandic saga literature
• Andreas Holzem, Canonising the figure of the pope: Aesthetics and counter-aesthetics of ultramontane authority formation in the 19th century 
• Stefanie Acquavella-Rauch, (New) spaces for music: Musicking, musical networks and canonisation in the 18th and 20th centuries 
• Christina Lechtermann, Beautiful recipes, wondrous instructions. Dealing with pre-modern knowledge and skills literature: between marginalisation and opportunity 
• Susanne Wittekind, Exclusion and the formation of the canon: On the perception and evaluation of Spanish sculpture in art historiography: The case of Francisco Pacheco
• Eva von Contzen: Different innovation: On the relationship between retelling and the canon in pre-modernity and the present